No matter what your dream dining experience looks like, there is a wide-ranging variety of vintage, new and antique dining room chairs on 1stDibs. Finding the Right dining-room-chairs for You But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. It’s difficult to overstate the influence that modernism continues to wield over designers and architects - and equally difficult to overstate how revolutionary it was when it first appeared a century ago. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair - crafted with his romantic partner, designer Lilly Reich - and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface avoidance of ornament.”Įarly practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.įollowers of both groups produced sleek, spare designs - many of which became icons of daily life in the 20th century. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. The late 19th and early 20th centuries saw sweeping social change and major scientific advances - both of which contributed to a new aesthetic: modernism. The company is owned by Haworth and continues to introduce innovative, handmade home furnishings while occasionally gazing back into time - its Chester line, a modular seating system by Poltrona Frau CEO Nicola Coropulis and Roberto Lazzeroni, is a contemporary interpretation of the founder’s original Chesterfield-style seating.įind vintage Poltrona Frau club chairs, coffee tables, desks and other furniture on 1stDibs. Poltrona Frau has established showrooms all over the world and creates interiors for Italian automotive brands Maserati and Ferrari.
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It issued such iconic mid-century modern pieces as Gio Ponti’s Dezza armchair, the 1960s-era Dilly Dally vanity by Italian designer Luigi Massoni, stackable tubular steel Movie armchairs by Italian architect Mario Marenco and French architect Jean-Marie Massaud’s sleek, angular Kennedee office sofa. The company furnished grand hotels, designed the interiors for Expo Turin 1928 and outfitted an Italian transatlantic ocean liner.įor more than a century, Poltrona Frau has collaborated with hundreds of leading architects and designers from around the world. When Renzo Frau died in 1926, Poltrona Frau was appointed furniture supplier to Italy’s royal family. The seat’s high-quality craftsmanship and integration of exquisite full-grain leather made it covetable among Italy’s elite. The Chester featured a pouf and an arm that was possibly included to hold the Duke’s ashtray. Frau’s chair was comfortable and functional, and he implemented the traditional upholstery technique capitonné, which refers to stuffing that is buttoned. Believed to have been custom-made for Filiberto Ludovico of Savoy, Duke of Pistoia, the Chester reflected the era’s emerging Art Deco style. He began to import the sumptuous Edwardian seating for the high-end domestic market.įrau made slight modifications to the English seat that he’d so admired, and among Poltrona Frau’s first successful designs was an iconic armchair in 1919 appropriately called the Chester. Intrigued and inspired by their rolled arms and tall, imposing profile, Frau returned to Turin, where he started his own leather-upholstered furniture company, Poltrona Frau, in 1912. While at the firm, he was sent to England, where he became enamored with leather Chesterfield armchairs. Upon completing his service in the Italian army during the early 1900s, the Sardinian-born Frau worked for faux leather manufacturing company Dermoide Patent in Turin. If an Italian soldier named Renzo Frau had never traveled to Great Britain and set eyes on a Chesterfield armchair, it is unlikely that legendary handcrafted furniture maker Poltrona Frau and its classic sofas, armchairs and vanities would exist today.
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